Now is the perfect time to get the gear you want with simple, promotional financing. Heritage Audio have taken that approach to build the SUCCESSOR STEREO BUS COMPRESSOR. Recordist. The Heritage Audio Successor brings all these and then more: A fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A ´73 type output stage that Heritage Audio is famous for. Heritage Audio Successor. As you might expect, the Successor can produce superb results when strapped across a guitar bus too, whether you're aiming to smooth out the recorded response of a clean electric or acoustic guitar, keep a clean-to-crunch track from jumping around in the mix or gluing together a layered, distorted wall of sound. Ultimately, the Heritage Audio Successor is a compressor with a distinctly vintage character. Used more modestly, there's a sense of an increase in presence and detail — and although this is accompanied by a reduction in punch, the Blend control can be used to counter that, as it allows you to layer the transient punch of the uncompressed dry signal back on top of the solidity and detailed presence of the compressed one. Its overall audio performance — a bandwidth of 15Hz-30kHz ±0.5dB, and inputs and outputs capable of handling in excess of +22dBu — was equally impressive. The diode-bridge approach to compression is, inherently, slightly noisier than other more familiar designs, but it's not usually a problem in the intended applications — indeed, the Successor's less-than-75dBu self-noise didn't cause me any issues in use. For those on a tighter budget, Golden Age Project offer the half-rack Comp–54 and the double-wide 500-series Comp-554. Ratio is a six-position stepped switch, selecting between compression ratios of 1.5, 2, 3, 4, and 6:1, or a limiting ratio of 20:1. Re: Clip tuner that responds acoustically. The Attack control is similarly stepped, accessing attack times that are initially pretty speedy (50 s to 0.2 and 0.5 ms), and then increase in ever-larger steps to 2, 5 and 20 ms. Release is another six-step switch, its first four positions covering times of 25, 50, 100 and 400 ms, and its final two steps switching in the A1 and A2 automatic release timings, which are fast when peaks are being compressed and slower when more sustained program material is being dealt with. Both GAP designs are mono, though two Comp-54s can be stereo linked. The Threshold control ranges from -20 to +20 dBu and, like the Successor's other rotary control (Blend), is detented to ensure repeatability of settings. After the meter, which displays the amount of compression on its 0-20 dB scale, comes the Dynamics In switch, and in addition to activating the compression circuitry this also switches on the meter illumination — a very neat alternative to the customary green or red LED. Heritage did a great job on these units, it is certainly dialed in as a mix buss compressor. The Successor can add presence and character to signals passing through it in a controllable way: an extremely attractive option if you're looking for an alternative to the more common types of compression. The incoming balanced audio signal is connected to one pair of opposite corners of this diamond, and a control signal is connected across the other pair of corners. Hand selected from all across the globe, each brings a wealth of experience and expertise in the world of music gear. I'm personally sorely tempted by its delights, and I'm pretty sure that I won't be alone in that. All rights reserved. The convenience of intuitively being able to set up a suitable level of compression, find a wet/dry ratio that gives me what I want to hear, and then switch between that blend and the dry signal to check things out without having to switch the actual compression in and out was the icing on the cake. Learn More. A single, beautifully laid-out PCB carries the twin pairs of input and output balancing transformers and the Heritage Audio '73 Class-A output stages. Though there are two channels, this is a true stereo compressor — so there's a single set of controls, which stretches across the width of the unit in an unbroken line from the all-black meter on the left to the power switch on the right. It's all the more surprising given that the most notable examples of this technology — the Neve 2254 mono and 33609 stereo compressors — have proved enduringly popular in a number of roles, not least the 33609 as a stereo bus compressor. Reserve yours now risk-free, or contact us for more information. To learn more about our cookie policy, please check our Privacy Policy. In addition to all this, an external send-and-return loop allows the use of external filtering or other processing to either replace or complement the internal filters, for more precise control. In the Successor, Heritage Audio have employed a pair of matched gain cells to ensure the solid left-right tracking that's essential in a bus compressor to avoid shifts in the stereo image arising from differing amounts of compression in each channel.