Nevertheless, it looks like ‘The Long Night’ was certainly within acceptable parameters from a production and post point of view. James Pearce speaks to COO Jamie Hindhaugh about the importance of partnerships and how technology can innovate live sports. How John Wilson Made the Perfect COVID-Era TV Finale. Sky Atlantic HD broadcasts on Astra 28.2°E, and, looking at the data from the satellite, TX of the episode took place at the normal level for dramas on Sky of around 7Mbps. As any Game of Thrones viewer knows by now, Sunday’s episode, “ The Long Night,” was too dark. What, if anything, went wrong? Once Arya stabbed and killed the Night King and the sorceress Melisandre wandered out into the snow to instantly age and fall down dead, we realized we’d been presented with a less thrilling third option — a cross between a video game that ends with the big boss defeated and all his minions turning to powder, and every other Star Wars film (and Star Wars–inspired film) that ends with the good guys doing one important thing that instantly neutralizes the threat that everyone thought would lead to extinction. This site uses cookies. IBC is run by the industry, for the industry. … and it’s not even filming in Floribama! Six leading international bodies own IBC, representing both exhibitors and visitors. Welcome to I suspect something similar happened with the visuals in “The Long Night.” I had trouble following a lot of the action in this episode, and I’m an action-film buff who watches a lot of movies with fast editing and handheld camerawork. While that’s not unusual for an episode of Thrones, many … *Sorry, there was a problem signing you up. By tuning, of course, Wagner means calibration. This plays down the role of the grade somewhat, but certainly a look at the excellent Behind the Scenes mini documentary that HBO has released on the making of ‘The Long Night’ here suggests that the scenes were slightly brighter on set than they appeared at TX. The Long Night was famously filmed over 55 gruelling nights in the depths of a Northern Irish winter and is one of the longest and most expensive battle sequences ever filmed in any medium. But it seems unlikely, given how often “The Long Night” cut away from a major character seemingly being overwhelmed by flesh-eating ghouls, then cutting back to them a few minutes later, unscathed save for a cut or bruise or two. 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Those episodes played like Acts 1 and 2 of a three-act, three-plus-hour war movie nestled within a season of television. Darkness limits the field of view and means you have to put less on screen in less detail, both in terms of in-camera shots and post production, which can have a positive impact on the budget. There aren’t even any bones to clean up. Was Game of Thrones' "The Long Night" Too Dark to See? Why Was ‘The Long Night’ So Hard to See? Unfortunately, the tight framing in certain key action scenes was a problem that even careful calibration couldn’t solve. BBC DG Tim Davie: “We’re not trying to beat Netflix”, IBC Workflow Tours: Content creation and post-production, Disney, Universal and Technicolor join Microsoft’s IBC SHOWCASE lineup, Firstlight Media to get personal at IBC SHOWCASE. HBO Now and HBO Go broadcast GoT at something close to 5Mbps. Dark scenes: A screen grab of Jaime Lannister and Brienne of Tarth as they prepare for battle. The best scenes were the ones where the filmmakers used darkness as a strategic tool to paint on a very large, almost static canvas, as in the wide shots of the Dothraki warriors with their flaming swords being “snuffed out” and the wights forming postmortal fire blankets to extinguish the flame on the barricades. McKinsey data showed that we “vaulted five years forward in consumer and business digital adoption in a matter of around eight weeks” in the early days of the Covid-19 lockdowns, and content streaming — along with Zoom calls ... BT Sport has launched several new functions to boost its viewer experience. A lot of people’s TVs were older, monaural units, incapable of properly reading a 1990s-quality, multichannel sound mix. You\'ll receive the next newsletter in your inbox. This also streams HBO as part of its Amazon Channels add-on package, but streams video at something closer to 10Mbps, resulting in a much clearer picture. “Filmmakers are working with manufacturers to change the way video interpolation is activated on your television, giving you easier access and greater choice on when to use this feature,” said Cruise. Then the online commiserating began - Game of Thrones fans were complaining the episode was too dark across every social media platform. Certainly, the air of claustrophobia and menace in the episode justifies that decision alone. © 2020 Vox Media, LLC. A much better bet seems to have been Amazon. “The showrunners decided that this had to be a dark episode,” he told Wired UK. The satellite broadcast, at least in the UK, seems to have fallen between the two. Wagner says that much of the darkness of the episode is simply down to the grueling nighttime shoot schedule, with the rest of the atmosphere produced on set through various lighting choices. It didn’t help that the script of “The Long Night,” written by series co-creators David Benioff and D.B. (It’s two, as previews of next week’s episode have confirmed.) 2020 was a year of record highs and record lows in entertainment. But when the letters kept coming in about a wide variety of shows on different networks, I did some research and discovered that the people doing sound mixing on the shows didn’t always take into account the fact that people watched the end product on monitors that were far from state of the art. Game of Thrones could still do that in its last three episodes, but “The Long Night” did not inspire confidence. Anti-smoothing: Tom Cruise and Christopher McQuarrie. With Jennifer Hudson, Ariana Grande, Snoop Dogg, Tiffany Haddish, and more. Weirdly, one of the biggest talking points to come from this past Sunday’s tentpole episode of Game Of Thrones has nothing to do with White Walkers, Arya, or the (sadly underwhelming) death of Jorah Mormont.No, it instead centered around the episode’s darkness—not in content, but in presentation. Martin’s texts and then compressed, expanded, or rearranged for TV. Already a subscriber? Winterfell Castle: A screen grab of The Long Night. In the aptly titled “The Long Night” episode of “Game of Thrones,” the Night King … (I watched parts of it again on a laptop and it looked a lot less smudgy.) When a series nails its final season, we say it stuck the landing. The dragon fight was framed so close that it was hard to tell who was doing what to whom; afterward, fans worriedly argued about whether Dany had one or two dragons left. Log in or link your magazine subscription. Here are 3 important outcomes from 2020. The Smashing Pumpkins front man on his new double LP. Since you probably have all the scary pandemic drama you need for the moment. [Spoilers for Game Of Thrones season 8, episode 3.]. In fact, it was so … Much is written about the cinematic quality and cinematic sensibility of modern high-end television; providing it with cinema-esque lighting seems only reasonable. It’s not inconceivable to think that Benioff and Weiss are preserving the major players to slaughter in one last, grand bloodbath. The Long Night, Game of Thrones’ biggest, most expensive, and longest episode to date, has been dogged by complaints of murky pictures and difficult to see action. Unfortunately, very few home TVs are calibrated for dark, cinematic imagery like this.